Scott Capurro

March 30, 2009

the lady ruminates…

Filed under: Articles — Scott @ 12:52 am

I’d forgotten I did this, but then when asked my favorite film, book and piece of art, i was eating a sausage roll and running for a bus, neither of which is a euphamism, because a.) i can’t spell and b.) the glamour never ends.

These are a few of my favourite things: Scott Capurro, comedian
The Scotsman

Published Date: 21 March 2009
FILM
REAR WINDOW
THIS is easily my favourite film – it’s really well acted, I think Grace Kelly’s angelic, and I love the way there are all these little stories and they all tie in. I also think it’s really amazing how you get to know so much about so many of the characters without even hearing most of them speak. It’s a great way of using film. Often I see films and I think, “why am I watching this in a cinema? Why isn’t it a play or a book?” But with Rear Window it’s almost all completely visual, which I think is great. I saw Slumdog Millionaire and it’s visual too, but it’s an MTV video, you know? The recent film Doubt, starring Merryl Streep and Philip Seymour Hoffman, was also very clever in the way it worked visually, but to be honest, neither of those films is really in the same league. Every time I watch Rear Window I see something in it that I didn’t notice before.

BOOK
THE SECRET HISTORY, BY DONNA TARTT

I was absolutely captivated by this book and after years in the Hollywood wilderness it now looks like it’s finally being made into a film, with Gwyneth Paltrow as producer and her brother Jake as director. The writing’s really strong – in fact that’s the thing that makes it stand out: some of the passages are incredibly smart and canny.

WORK OF ART
GUERNICA, BY PICASSO

This is a huge, gorgeous piece – very moving and very modern but also quite traditional, in the sense that it’s a narrative painting, telling the story of a terrible atrocity. I saw it in Madrid when I was about 21 and I just stared at it for hours. I think it’s still as powerful today as it was when it was painted. A lot of people protesting about the Iraq war have used it because it still affects people in the same way.

• Scott Capurro Goes Deeper is at the Tron, Glasgow, on 27 March, tel: 0141-552 4267. Capurro will be hosting American Homecoming at the Stand Comedy Club, Glasgow, on 28 March, tel: 0870 600 6055. Both events are part of the Magners Glasgow International Comedy Festival. For more details, visit www.glasgowcomedyfestival.com

Get her. I didn’t even know I thought this stuff.

Filed under: Blog Posts — Scott @ 12:49 am

But then that’s the benefit of a good editor. He put my thoughts together beautifully. i think when he asked me these questions, i was eating a sausage roll and running for a bus. So the glamour never, ever ends.

These are a few of my favourite things: Scott Capurro, comedian
The Scotsman
Published Date: 21 March 2009
FILM
REAR WINDOW
THIS is easily my favourite film – it’s really well acted, I think Grace Kelly’s angelic, and I love the way there are all these little stories and they all tie in. I also think it’s really amazing how you get to know so much about so many of the characters without even hearing most of them speak. It’s a great way of using film. Often I see films and I think, “why am I watching this in a cinema? Why isn’t it a play or a book?” But with Rear Window it’s almost all completely visual, which I think is great. I saw Slumdog Millionaire and it’s visual too, but it’s an MTV video, you know? The recent film Doubt, starring Merryl Streep and Philip Seymour Hoffman, was also very clever in the way it worked visually, but to be honest, neither of those films is really in the same league. Every time I watch Rear Window I see something in it that I didn’t notice before.

BOOK
THE SECRET HISTORY, BY DONNA TARTT

I was absolutely captivated by this book and after years in the Hollywood wilderness it now looks like it’s finally being made into a film, with Gwyneth Paltrow as producer and her brother Jake as director. The writing’s really strong – in fact that’s the thing that makes it stand out: some of the passages are incredibly smart and canny.

WORK OF ART
GUERNICA, BY PICASSO

This is a huge, gorgeous piece – very moving and very modern but also quite traditional, in the sense that it’s a narrative painting, telling the story of a terrible atrocity. I saw it in Madrid when I was about 21 and I just stared at it for hours. I think it’s still as powerful today as it was when it was painted. A lot of people protesting about the Iraq war have used it because it still affects people in the same way.

• Scott Capurro Goes Deeper is at the Tron, Glasgow, on 27 March, tel: 0141-552 4267. Capurro will be hosting American Homecoming at the Stand Comedy Club, Glasgow, on 28 March, tel: 0870 600 6055. Both events are part of the Magners Glasgow International Comedy Festival. For more details, visit www.glasgowcomedyfestival.com

March 20, 2009

Hey kids, come see this show. It’s fun. In fact, here’s a very nice review.

Filed under: Blog Posts, reviews — Scott @ 1:36 am

I think it’s nice. It seems mostly supportive. I dunno, I’ve been very emotional lately, so everything I hear or see leaves a pinched imprint. And I have a hard time reading reviews of my own work. I focus on one word, or wonder why the critic discusses my outfit, which this reviewer doesn’t do, and now I’m totally tangential.
So this is from Chortle, a UK comedy website. Steve runs it, and he saw the first show of my new live chat thingy I’m hosting at the Royal Vauxhall Tavern. Come, it’s light and fluffy and crunchy sometimes, and loads of celebs are stopping by. I’ve called in lots of favors. It runs every Tuesday until April 21.

If any chat show is only as good as its guests, Scott Capurro’s new live venture looks promising indeed, with the likes of Ken Livingstone, Julian Clary, Brain Paddick and Graham Norton all lined up to join him at South London’s Royal Vauxhall Tavern.

But guests are only half the equation, and Capurro wouldn’t perhaps be most commissioning editors’ first choice as host, particularly when causing offence is a paralysing fear. Not only is his stand-up act so thoroughly filthy that he’d make the pre-Sachsgate Jonathan Ross look like Mother Theresa’s maiden aunt, but also his persona is so narcissistically self-centred that you’d think it would be well nigh impossible for anyone else to get a word in edgeways.

It turns out that he can be generous with the limelight, and in conversation with Jo Caulfield prompted plenty of anecdotes about her family – especially her brother the Catholic priest (cue lots of sniggering paedophile gags) – and opinions on the perceptions of female stand-up. This opening segment was amicable and moderately entertaining, but with his lascivious wit neutered, there was little to separate Capurro from any other attentive and confident interviewer.

In the second section, all changed. As Capurro interviewed cabaret artist Dickie Beau – following his mesmerising and moving turn lip-synching to a tragi-comic interview with a drunkenly defiant Judy Garland – the tables were turned as the host did more talking than his subject. We learned much about Capurro’s hang-ups, family and relationships – all told with the deliciously biting wit for which he is rightly known, but the talk-show aspect was all-but forgotten as the catty San Franciscan held court.

The balance was better with Jerry Springer: The Opera composer Richard Thomas – not a natural on stage but clearly an interesting interviewee, and the devilish star of that controversial production, David Bedella, who sang powerfully but gave nothing away in conversation.

In the final section came the man most had surely come to see: Graham Norton, hotfooting it from his changing room in La Cage Aux Folles. Waiting for him to travel in from the West End made for a long night – but the wait was worth it, as the ever-charming Irishman proved as cheekily entertaining as an interviewee as he is as an interviewer, regaling the audience with his impishly indiscreet showbiz confessions and pithily expressed opinions on the nature of his job.

The banter here flowed the easiest it had all night; with the well-matched Capurro and Norton batting the conversation back and forth like Forrest Gump playing ping-pong. This might have been Capurro’s first bash at a talk show, but by the end he had found his feet.

The Royal Vauxhall Tavern, however, might not have been the best choice of venue for such an experiment. Much of the well-lubricated audience at this predominantly gay bar, perhaps more used to seeing rambunctious cabaret here, found it difficult to keep schtum, proving distracting at best, disruptive at worst.

But maybe they – like Capurro himself – haven’t yet had time to quite adjust to the mechanics of this format.

Reviewed by: Steve Bennett
March 19, 2009

March 19, 2009

Whilst in San Francisco, strange things happen.

Filed under: Articles, Blog Posts — Scott @ 2:09 am

I’m not necessarily proud I Yogayed, but I did. And I want my friends to know about it.
Actually, I am proud. It was fun to be a hippy again. Wait. I was never a hippy. I grew up in Marin, sure, but I was less organic farmer, and more an Yves Saint Laurent closet case. I was far too pinched and tense to be a tennis playing skate boarder, which, if you haven’t guessed, is what all the guys I had crushes on were. Oh Frank and Martin, where are you now?
Playing on a yoga mat with naked gays was like re-visiting my childhood, only with better lighting. And a lot more cock.

GT
April 2009
Scott Capurro

Yogay beckoned. I had such an adverse reaction to flamboyant balancing gays that my friend Vincent accused me of homophobia.

“What does a Vegan Buffet have to do with asana?” I asked, begrudgingly sipping soy.

“Why not boil some lentils and find out?”

When I arrived at the sprawling Victorian home on a quiet street in San Francisco, I was nostalgic yet apprehensive. I knew the house was a hotbed of gay radicalism. And though I’d attended Solstice parties there, and heated up a few beds myself, I’ve never been victimized. I mistrust sloppy political expounding and I think mythology is for druggies. Yet as I walked up the rickety stairs to the main floor, Radical Fairies, those gender bending, tambourine playing, mother earth loving gay heathens darted about like forest nymphs. My palms perspired. Am I too hip to strip? My yoga mat is by Paul Smith!

After slipping off my brogues, and noticing the wood paneled, cock painted, fern hung homage to the 70s that surrounded me, and which, like most childhood memories, I found both charming and suffocating, I strolled past dark closed doors and a large circular glass shower into a larger room that contained, in the center of the shag, a naked, undulating, bearded white guy. He was on his belly, and his hairless, pale body writhed from top past bottom to the brown underside of his bare feet. He was humping the ground. I wondered how fast I could make it back to my car.

“Hey Scott, what are ya’ doin’ here?”

Around a corner came Richard, a teacher raised in Texas whom I’d cruised locally for fifteen years. Blushing with arms akimbo, he appeared annoyingly fit, even in black socks.

“Vincent sent me. I’m really here for the free booze.”

“Don’t tell that to Yoga Daddy.”

“I brought lactose-free brownies.” I was trying to acclimate, organically.

“Very kitsch. Put them in the fridge but mind the bullets. They make a lot o’ noise when they spill, and this is a safe space.”

Matty, the home’s owner, is a cop who’s ready for the Revolution. That night however, he was disrobed and in full Lotus. Others ambled in, sporting tiny shorts, chatting quietly.

I unzipped my cardigan, then looked around for a hanger.

“I’ll put that on my bed.”

Richard lives here? Can I move in?

He turned back. “Shall I take your tie?”

“Do you need one?” I trembled with angst. I became Julie Christie. I pouted.

“Yoga Daddy’s watching you.”

I turned and saw nothing but a kitchen scene on a laptop screen. Then I heard his solemn, monotonous voice.

“Hello. Can anyone see me?”

A red bearded face pressed itself against twelve inches.

“Uh, yes. I can.”

“Hey Scott. It’s me, Carl.”

Carl the builder? We went sailing together once. He has a tail. Well, an extended spine ending with a patch of hair. So…a tail.

The other boys chimed in, praising Skype and greeting Yoga Daddy, who was in Portland on a gay-lesbian-bisexual-transgender-questioning AIDS yogic healing circle.

“I’m sautéing spinach now.”

Yoga Daddy led us bumpily through a series of poses. The sound crackled. So did the wood fire. The room grew very warm. Eventually almost everyone was exposed. Eyes were half closed as glistening bodies swayed and swooned through headstand, shoulder stand and downward dog. Each practitioner moved at his own pace. Some even skipped a pose or two. With Carl in another city, discipline lagged.

Starfairy Trilogy (AKA: Henry.) kept his red jock strap strapped. I retained my white unitard, but then I studied modern dance for one semester. We watched each other without eyeing one another, moving cautiously beneath the stained glass. As we both lay panting at the end, I could almost taste the sweetness of his youth. He smelled like straw.

Yoga Daddy mumbled goodbye and we eagerly ate rabbit fodder. Gays disappeared to the Jacuzzi, then reappeared embracing, giggling and much hungrier. Somehow we all wound up in the triple headed shower, rubbing mint gel on one another’s damp, sinewy backs. Starfairy leaned on my arm, and I caressed his smooth balls.

“I shave them in support of our Muslim brothers in Palestine.”

Genuflecting, I pleaded silently that this might be the evening’s final protest. His lack of circumcision surprised me. He smiled. I thought, ‘He’s kind.’

“Are you Canadian?”

“Yes,” whispered Starfairy, “but don’t tell the Fairies. They’re boycotting Maple syrup. Sapping is territorial.”

As my head bobbed, also in agreement, mandolins strummed softly on the outside deck.