Scott Capurro

May 29, 2008

This review appeared in the Times for a play I’m acting in. Just thought I’d let you kids know. Come along. It’s fun.

Filed under: Blog Posts, reviews — Scott @ 8:56 am

The theatre is very intimate, it’s almost like an Edinburgh Fringe venue, which is sweet. And very warm. The UK ignores air conditioning, like it’s Black Magic. The play’s writing is good, I think, and I’m kind of loving playing this character. He’s an aging playwright using sex for approval, so the research was rough. But oddly, he feels familiar. I haven’t been on a legitimate (my mother’s word) theatrical stage in a very long time, and doing someone else’s writing felt awkward and foreign at first. But now it’s like a vacation. I just show up at work, do my bit and the show ends at 9 pm. The audience response has been very supportive and all my friends have liked the play. It’s all quite different from a comedy gig, where I fight my self-imposed, neurotic battles, stumbling from gig to gig, until i wander home, exhausted. Now i have a drink in the pub after, giggling with actors and sipping white wine. It’s sort of classy. Posh. Almost like the grown up job I’ve been looking for.

From The Times
May 29, 2008
F***ing Men at Finborough 4 STARS
Tim Teeman

It’s a hard sell, imagining the Finborough’s postage stamp-sized stage to be a whirligig of locations in which a group of New York gay men sleep with and seduce one another; each encounter subtly, sometimes radically, changing their lives. But under Phil Willmott’s direction, the stage manages to convince as sauna, hotel room, house and apartment. Each encounter in Joe DiPietro’s play (it is a contemporary take on La Ronde) is all too plausible and, given that only half the actors are American, all the accents are pretty faultless too.

Half the fun is watching who ends up with whom. Both the prostitute John (Shai Metuki) and the handsome lecturer Marco (Chris Polick) encounter the closeted beefcake soldier Steve (Nicholas Keith) whose anguished outpourings in a sauna may – depending on your sexual tastes – occupy you less than his six-pack.

DiPietro is interested in how gay men have sex, meet for sex, use sex, and trade in sex. One couple, played by Morgan James and Timothy Lone, love each other but cheat on the quiet. What use is monogamy, one of them wonders – and while you may be swayed by his argument you believe their mutual devotion is for real. The bombastic title doesn’t match the tone of the play, which is more wordy and thoughtful than violent and shocking.

The comedian Scott Capurro is Sammy, a screenwriter who can’t believe his luck when a secretly gay Hollywood star, Brandon (Guy Fearn), comes on strong. Capurro plays Sammy astutely, half for laughs and half not, and his exposure of Brandon in the press leads to the actor’s off-stage confession on the talk-show host Donald’s (Patrick Poletti) show. In turn, Donald is frozen by the death of an old lover and employs John for sex.

Di Pietro’s conclusion – gay love and desire are jolly complex and not easily defined – is wittily conveyed. And if that message doesn’t drive you wild, the lack of clothing just might.

Box office: 0844 8471652. To Jun 7 2008

May 26, 2008

Great review from the Argos, written by someone I’m now clearly in love with, although we’ve never met. But that might be for the best. Apparently, when attracted to someone, I try FAR too hard.

Filed under: Blog Posts, reviews — Scott @ 9:58 am

Scott Capurro, Udderbelly, Brighton, May 14
By Seth Ewin

Scott Capurro takes no prisoners

Scott Capurro – Laughtershock
Unlike Josef Fritzl, Scott Capurro takes no prisoners, however he does give the Fritzl family some abuse, along with Maddie, Anne Frank and just about any other supposed no-go area you care to mention. The US comedian is on the warpath, only unlike his home country there is a method in his madness. The real target is liberal guilt and what he sees as an unhealthy obsession with insignificant events (in the wider scheme of things), which, he’d say, includes the missing Madeleine. Amidst material eye-poppingly offensive and painfully funny, the venom-tongued comic turned his devilish gaze on Maximus, a hetero in the second row – Capurro didn’t hesitate to describe what he wanted to do to him. Half clown, half demon, his destruction of a heckler was terrifying.
Udderbelly, 14 May, 10:30pm, £14.00 (£12.00), fringe pp 20.
tw rating 5/5
[se]
*****

From me: I did enjoy performing this show, Brighton is a hot bed of middle class, white, suburban extremism, and the audience seemed enthusiastic, even for such a late hour (1030) on a week night. But I was tired, my guard was down, and when a relatively mild heckler implied that all Americans are war mongering cunts – at least, that’s what I heard – I kind of lost my mind. For about 10 minutes. Now, I enjoyed the vitriol, it was purging, but I wasn’t sure what the crowd ‘felt’, like, as I’ve realized, I care. The thing is, an exchange of ideas is great, if someone out there wants to bark back their thoughts, their well-considered thoughts, I’m thrilled. But ‘feelings’? Fuck off, frankly. I’m not your therapist or babysitter or mommy, so if you feel hurt by what I say or if you feel cornered or saddened or, horror of all horrors, ‘offended’, then buy a ticket to the Hay Festival and wank off over your dead Father’s memory. Ideas are arguable. Feelings are disastrous.
After all, I’m working. And when I’m stage, I’m an autocracy. A crumbling, fading autocracy, but one with a bull horn, so no one wins when the whinging begins.
I am SO looking forward to doing this show in Edinburgh. I get to argue for 4 weeks. Hallalujah! I wonder if I’ll be shot before, or after, Obama. First one assassinated gets the biggest casket. Wasn’t MLK buried in a plastic bag?
scott xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx