Scott Capurro

August 19, 2008

Wait a minute…is that ANOTHER 5 STAR REVIEW??? Gosh, I don’t know what to say. I’d like to thank all the little people who’ve made my clothing so I can feel so confident whilst barking about dwarf hookers to an unsuspecting crowd of inbred ginger cunts.

Filed under: Blog Posts, reviews — Scott @ 10:37 pm

I’d like to post the review here, but it’s only a PDF on line, so I can’t copy it, blah blah blah…Don’t judge the Scottish. They’re trying.
But the main quotes are:

“Unbelievable, unstoppable and most definitely, unmissable!…An outstanding soliloquy of vitriol that challenges every belief system you hold dear…Scott isn’t just a cutting edge comic. He made the edge. He tackles the gritty world or politics and religion, ruffling the feathers of the PC Brigade…If you only see one show this festival, it must be this one.”
Scotsgay *****

I know. It’s full of quotable quotes. Of course, I’m still getting walk outs, but I’m so enjoying the rage of people who aren’t sure why they’re angry. And anyway, I have their money. I win. The entire festival has been a joy, because I like seeing my friends work - The Pros From Dover made me laugh/cry - and I’m not immersed in who’s winning what. I’m just doing yoga and eating well and humming along. I suppose it’s my age, but my engine has really wound down during this trade fair. I’m in it to win…back my dignity.
xxx

August 16, 2008

And, ahem, yet another 5 STAR review. I guess I still got it. Now if only someone will pay me more to give it away.

Filed under: Blog Posts, reviews — Scott @ 5:08 pm

Broadway Baby
*****

Scott Capurro Goes Deeper

Underbelly. 31st July - 24th August (not 12th, 19th). 21:15 (1h)
Printer, but not Loser, Friendly

First and foremost, this show will certainly not suit all tastes. You will either love him or hate him. If you are a racist, biggot or homophobe then then you need to see this show. This is cutting edge stuff and makes other comic’s so-called shocking material pale into insignificance. He will take you to places you never dreamed could be funny with his terrifyingly dark brand of comedy. He has an endearing charm but don’t be fooled by his apathetic manner because he is deadly serious.
Scott has identified his greatest fears and turned them into a joke because that’s the point, everything to him is a joke. AIDS, cancer and paedophilia are a few of many hilarious topics he covers in his fast moving show. At one point, the audience were on a precipice - some I felt almost tempted to leave but then he yanked us all back again to a slightly more comfortable place only to prepare us for the next onslaught.
People have mistaken his material for being sick, and some of it is - deliciously so, but the message behind it is far more profound. Those who prefer their humour more mainstream should stick to the variety palaces. This is Edinburgh - bring it on. This is the art of stand-up at it’s finest, a masterclass in comedy and that’s why he deserves 5 stars. I dare you to go and see it. [Kevin Stevens]

Scott Capurro Goes Deeper Underbelly Productions & MZA

Director:
Scott Capurro

Theatre:
The Underbelly
August 01-11,13-18,20-24 July 31 : 21:15(0 mins) from £6.00

August 15, 2008

This just in from the Guardian. I can’t BELIEVE he was there the night of the crazy cunting Dutch girl, but there you go. That’s the beauty of live performance. Anything can happen, and if you’re lucky, you might see a tall homo grab a pale bitch by the arm and throw her out. HOT!

Filed under: Blog Posts, reviews — Scott @ 4:08 pm

Edinburgh festival
Comedy
Edinburgh festival rapid review: Scott Capurro
Belly Laugh, Underbelly, Edinburgh

Leo Benedictus
guardian.co.uk, Monday August 11 2008 14:16 BST
Article history
Time: 9.15pm

Scott Capurro
Goes Deeper
Belly Laugh, Underbelly, Edinburgh
Until August 11, 13-18, 20-24
Box office:
0844-545 8252
Venue website
Capacity: 150. 80% full at the beginning, 60% by the end.

The theme: All that’s sacred. Let me consult my notes … erm … cancer, the prophet Muhammad, paedophilia, fisting, abortion, the word “nigger”, Madeleine McCann, Aids, Catholicism, anal rape … That enough for you? Even so, it does not begin to convey the depth and range of offence that Capurro sets out to cause. The 45-year-old San Franciscan’s graphic one-liners and camp, high-speed delivery are like the finely calibrated instruments of a consultant sociopath. And he can enrage an unsuspecting punter in less than 30 seconds – like the army medic, returned from Iraq, who had to listen to an explanation of why all the men he had treated should have been left to die. It was like watching someone trying to commit suicide by lynching. Little wonder all the front row seats were empty. “You cowards!” Capurro shrieked when he first came in.

High point: Danger. Only in a Capurro gig do you realise how childish and tame all the other supposedly transgressive standups on the circuit really are. Some of his remarks, about the Qur’an in particular, do seem inadvisably brave. And yet he is no bigot. Whenever he criticizes the behaviour of a group of people there is at least a superficial case to be made – even if it involves trampling on the assumption that some groups of people should be above criticism, at least from him. Deep down we are all racists, sexists and generalisers of one kind or another, is Capurro’s basic and provocative argument, so stop being such a hypocrite about it.

Weak spot: With all the walkouts and heckling he brings upon himself, it must be almost impossible for a Capurro gig to go according to plan. Which is particularly problematic this year as his show, Goes Deeper, clearly has a fairly serious plan to stick to, involving his relationship with his current boyfriend. Whatever Capurro had in mind, however, it did not come off. In fact it was smashed into a mound of twisted wreckage by the self-adoring heckles of a drunken Dutch girl, who finally had to be removed by security. He dealt with the problem fairly well, considering, but a good portion of the show was ruined, and his wider purpose sidetracked beyond repair.

Audience participation: Sharp intakes of breath, continuous heckles, the mass departure of one entire row in protest at Capurro’s McCann material. Some laughter.

Comic equation: Larry Grayson x (Lenny Bruce + Chris Rock)

Mark out of 10: 7, even though it was a disaster.

Put this on your poster: Warning! Contains strong language, sexual imagery, extreme blasphemy, racial terms, sustained personal abuse and scenes of cruelty to children that all viewers may find distressing.

August 13, 2008

This is from Chortle, the UK comedy site. He gets it. Thank God….dess.

Filed under: Blog Posts, reviews — Scott @ 7:28 pm

Show type: Edinburgh Fringe 2008
Scott Capurro Goes Deeper
Description Review Comments
Show Rating: 5 STARS
Scott Capurro has been positively goading people to walk out of his shows – and, true enough, they’ve been leaving in their droves. It begs the question why; he’s being doing this bitter, brutally odious humour from the viewpoint of a narcissistic, predatory gay man since being nominated as the Perrier newcomer in 1994. Anyone taking even the most cursory glance at what show they’re buying tickets for should be all-too aware of what atrocities to expect.

But when every other comic seems to be dumping a rape gag into their set as a shortcut to acquiring some phoney measure of ‘offensive’ cool, maybe the word’s losing its meaning. Capurro, however, is on a level of viciously uninhibited nastiness all of his own.

He’s a man for whom bad taste means wearing white socks, not lines like: ‘Why shouldn’t I rape my black nigger?’ which he drops casually into the monologue. The I-Spy book of kneejerk shock subjects are certainly covered: Madelaine McCann, Aids, Mohammed, Jill Dando, the Holocaust, Josef Fritzl and, erm, Alan Carr. You’ll hear jokes about al of them this festival, but rarely, if ever as uncompromisingly extreme as the acidic Capurro pushes them. It is impossible to overstate the enormity of his material.

It’s relentless, too. Capurro speaks 19 to the dozen, presenting one viciously evil image after another. There is no escape from the intensity of its unpleasantness; it can feels like the stand-up equivalent of the Clockwork Orange aversion therapy film.

Yet accept the ferocious, corrosive material in the provocative spirit it’s intended, and it is brilliantly, shockingly funny. So far beyond the pale that the only reaction to laugh, partly out of discomfort, partly out of the sheer audacity of it all.

This is grade-A, pure hardcore comedy, mind, not for the casual dabbler. But if you’ve gone through the gateway comics who cut their offence cut with whimsy and tomfoolery, and feel you’re ready for something much, much stronger, Capurro is your man. Much of the show concerns itself with graphic descriptions of gay sex, of course, but by the end of the hour pretty much every sacred cow you can think of has been turned into beefburgers.

He makes this material as palatable as it’s ever going to be by his exaggerated persona. There’s a subtle playfulness behind it all, and he’s just such a ridiculously offensive caricature of empty promiscuity, self-centred bitchiness and unadulterated unpleasantness, you shouldn’t really be taking any of it that seriously.

This particular show feels like the triumphant culmination of the evil he’s been peddling for the past 14-odd years, combined with an honest glimpse into the realities of his life. It can’t be stressed enough that this show isn’t for everyone, but if you suspect you’ll like it, you’ll probably love it.

Reviewed by: Steve Bennett

When can I see this show?

When: 21:15 to 22:15 - Wednesday 13th Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Thursday 14th Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Friday 15th Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Saturday 16th Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Sunday 17th Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Monday 18th Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Wednesday 20th Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Thursday 21st Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Friday 22nd Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Saturday 23rd Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

When: 21:15 to 22:15 - Sunday 24th Aug, ‘08
Venue: Underbelly
Prices: £6 to £11.50
Show: Scott Capurro Goes Deeper

July 23, 2008

My August column for Gay Times is a bit too intimate, maybe. A good friend read it and said, “Can you be sued for this?”

Filed under: Blog Posts, Articles — Scott @ 8:52 am

Thing is, I’ve changed the other person’s name. Barely. So that’s ok, right? Why am I so fucked up? Maybe this impending Fringe festival in Edinburgh is making me anxious, poisoning my rational narrative. Or maybe I’ve lost control because I want to. Someday I might find peace. In the meantime, struggling, stifled romance will have to be enough. In fact, I just wrestled a Brazilian into bed, and he left claw marks on my right breast. But that’s for next month’s column.

Scott Capurro
GT August 2008

After a return to the ‘legitimate’ (my mother’s word) theatre, I found myself surrounded by actors. Ten of us in total, stuffed into the tiny, grimy dressing room of a small, respectable fringe theatre in Earl’s Court. Over a four-week period, two of us built a sort of partnership, a bond that intensified by the intimacy of the play, and life, as they say, imitated art.

The play, Fucking Men, is about men who fuck. Though each of the scenes have two persons, the characters intersect; each action effects the other, each affair feeds the circumstances of the next; as my character states, ‘sex is about connecting’. I played a failing playwright using sex for approval. Obviously the research was strenuous.

When I arrived at the theatre for my first rehearsal, the director was late, leaving me alone with my new scene partner, Alan. I’d been warned he was pretty, so I did what I do when I’m nervous. I flirted, awkwardly, suggesting this insolvent actor try prostitution. Alan’s from Minnesota, and though he’s lived in London for nine years, he, like packaged crisps, retains his freshness. Pale and sloppily dressed in baggy denim, his hair combed into a fin, he seemed disturbingly young. Forgetting momentarily I didn’t have a ‘type’, I reckoned he wasn’t mine and we’d get along just fine.

Initially, I thought Alan was a bad actor. Our scene involved two gay men circling one another, wondering how, or even if, one would pounce. He seemed distracted. I was of course bouncing off walls, sputtering and mugging with forced charm. Alan looked down, shyly. When we did make eye contact, he consumed me. I wondered why he disliked me so much. In fact, Alan was wryly responding to my showmanship. He was listening, as any skilled actor would. We – sorry, I - had a lot of work to do.

Unfortunately we had little time, so I innocently requested we meet alone, in Hackney, on a sunny day, to run lines. We ended up eating lunch, and as I asked him loads of personal questions, Alan cruised just about every bearded man that traipsed by. He asked me almost nothing about myself. In a way, I was relieved. He was a self-centered actor who couldn’t wait for opening night when he could get drunk. Again, though talented, I thought him plain. I praised myself for my own discretion.

When I made him dinner, he lightened up. “Can I just say that everything in this apartment is totally cute?” Yes, I said, you may. And that includes me I hope. “Don’t be ridiculous. You’re as pretty as a princess.” I showed him photos of my mom and he told me about an extremely painful break up. We wandered to Shoreditch, and before he scurried off with his posse, we spent an hour on the street, alone, laughing and making fun of everything. Each joke made the other better. Intermittently, Alan leapt at me, excited, and hugged me.

Then, before a show, we discussed his father’s passing. He was still very upset, and we stood next to one another, in a cramped, warm hallway, my left shoulder pressing against his right, as I stroked his damp forehead. We looked at one another, and I brushed his left earlobe. Then his cheek. He stared so intently I thought he’d cry. I wondered if he wanted me to kiss him, and I worried what a sexual touch would feel with someone with whom I’d grown so intimate. Instead I walked away, then, later, watched jealously, as, in the scene before ours, Alan kissed an actor several times, longingly.

Eventually, we talked. Well, I did. I have feelings so infrequently, I think it best to reveal them when they do happen. We were on a bench in London Fields, so many passers by knowing Alan’s name. I was terrified of his sexuality; that he was young and still in demand, but I felt his coyness with me was forced. I hoped it was hiding something deeper that only my honesty could unleash.

Yet he stared off, like a slack jawed retard. He asked if I wanted to be friends, and of course I said yes. We parted, promising to speak soon. We haven’t. Though I miss him terribly, my ego won’t allow me to be familiar with someone who finds me unattractive. And that’s sad, because briefly, this feeling I’m foreign and misunderstood and abstract, diminished. With him, I felt necessary. I felt love. Which, for now, I’ll have to live without.

June 27, 2008

I alerted the lady audience member that i’d posted her remarks. She panicked I guess. And sent me this.

Filed under: Blog Posts — Scott @ 4:09 pm

That was not my intention in writing and I would ask that you would remove it.

Thank you,
Valia

When will she learn? The more you say or write, the more I’ll print, and the worse - or better, from my perspective - it gets.
If you have something to say, then stand by it. I’ve no problem with that, although I prefer ideas to feelings. However, for fucksake, if her ‘feelings’ mean that much to her, then she should be glad I’ve shared them with whomever gives a shit. Not that you do,
gentle reader, but it is fun to witness a minor melt down in action, right?

Filed under: Blog Posts — Scott @ 4:09 pm

June 25, 2008

Just got this. From a lady audience member, who had the audacity to show up late, at the Punchline in San Francisco on July 21, then sit in the front row and chat with her lady friend. During Gay Pride month! But don’t worry. I sorted her out. Or so I thought…

Filed under: Blog Posts — Scott @ 11:44 pm

She and her 3 mates were 30 minutes late actually, and, internally, I dealt with that. We’re all stupid sometimes. But the chatter got up my nose, so I handled it, and her husband and the other spouse just stared at me, as menacingly as they could. I finally went back to them near the end of my set, and they seemed alright, but then persian men will flirt with anyone.
I’d forgotten they ever existed (of course) but when I got this, I laughed and laughed. You’ll see why. Especially around the black people stuff. I don’t talk about the floods in New Orleans that way, but now that she’s written I do, I think I might. It’s funny. Although why she’s funny she doesn’t understand. Really she lacks an intellectual grasp of, well, anything. And one wonders, why on this Christian Earth did they leave the house? Or go to live comedy? Or for that matter, come to see ME???
She’s attempting restraint, which I admire, especially in religious extremists, but we all know she’s just dying to call me a faggot. Or whatever disparaging word her people use. Something with spit and anger involved I’m sure, but then that’s the final irony, because again, middle eastern men prefer the company of men. In every way. Wonder what their word is for that. Her husband was hot, and he winked at me on his way out of the club. So maybe someday soon, I’ll hear the word, whispered in my ear. Praise Allah.

Good Afternoon Mr. Capurro,

I am not sure if you will remember me, but I was the “Iraqi” who showed up late to the 9:00 show on Saturday night with three “Iranians” (one of which was actually Afghani, go figure). We sat at the table to the left of the stage from your vantage point.

I guess I will start with the beginning. You “greeted” us by calling one of our friends a hooker as soon as we walked in, I am assuming you did this because she was talking, since you followed it by telling her to “shut the **** up”, and I just found that to be rather uncouth.

I was alright through most of your routine, even by making an assumption that we were terrorists, and wondering what we were doing to cause our late arrival. That was funny.

The other thing that was upsetting to me is that you apparently do not study the things you talk about. You kept on calling Iraq a sh**hole and saying it always was, but that just isn’t true. Before the gulf war, Iraq had a bustling economy… and it was actually more “westernized” than what you seemed to think. My mom did her undergrad there, and her college photos don’t look too different from her classmates at UCSF medical school who studied their undergrad in and around San Francisco.

Also, for the Muslims in the audience misrepresenting their holy word and using their holy book when you run out of toilet paper was really disrespectful. I really don’t know what else to say about this, because it just made my jaw drop.

In general, my husband Fred and I are not offended by comedians, because we understand what they are saying is all in good fun. Some of our favorite comics certainly use a lot of crass humor. But even he, who is way more easygoing than I, felt pretty uncomfortable at your show… and it wasn’t only the middle eastern issues that were disturbing. When you started talking about the black hurricane Katrina victims floating in the water face down, I was ready to walk out. Those people didn’t die solely because they didn’t know how to swim… they died because there was no one there to help them.

I think there are comedians who know how to make terrible things funny, and then there are people who try to make fun of terrible things and end up not accomplishing their goal.

I haven’t researched your name at all to know what type of audience you attract, but I can assure you, if you stay within that second group, your act will not grow to allow you to do more profitable things.

Lastly, I could have come at you in the same profanity-laden way you delivered your insults, and I didn’t. I only hope if you respond, you will honor that respect, by showing it as well.

Thank you,
Valia

June 3, 2008

Yeah, and this really happened too. I still have the fucking bruise.

Filed under: Blog Posts, Articles — Scott @ 9:27 am

Why do audiences take themselves so seriously? I could understand if we were trapped at the National Theatre watching Bosnians burying babies, but for fucksake this is comedy and I’m a dick joke teller. It even said ‘comedy’ on the wall behind the stage. Are these seated cunts illiterate? Or just unimpressed? My arm hurt for two weeks.

GT July 2008
Scott Capurro

NEWS FLASH: I’ve discovered a boundary! Usually I value free conversation, like free trade, and I’m capable of at least comically bull-shitting my way through most subjects. Who knew I’d hit a wall in Belsize Park?

Admittedly I was stressed. I’ve returned to the legitimate (my mother’s word) theatre, and that day, I’d dropped my pants twice, in both a matinee and an evening performance of Fucking Men in Earl’s Court. At 9 pm, I rushed to Chalk Farm tube so I could stumble, exhausted, up a slight incline to a posh pub full of checkered shirts and disdain.

Once on stage, I flitted through my impressions of Sheffield homophobes and misogynistic Obama supporters when I noticed that some blond woman had been whispering to her male partner through me ENTIRE act.

Knowing I had a cab waiting to rush me to another gig, I still went to her. I couldn’t help myself, and that’s why I’ll never be content.

“I must punch a lot of your buttons, hon”, note to all: when I say ‘hon’, it’s not good, “cuz for the last 20 minutes you haven’t shut your cunt.”

“You’re boring,” she slurred, in any one of a variety of eastern European accents.

“No, I’m not. I might be annoying, and you’re a lazy, stupid Polish whore who doesn’t get the joke, right?”

“No, you’re just…” I hate redundancy “boring.”

I turned slightly to her male neighbor, and said, “You brought this? Or, sorry, bought this? Have you checked her for worms? Either way, I bet your flat has never been cleaner.”

Then she said, “I don’t have to take this from some fucking queer.”

The room went quiet. But I didn’t.

“Oh, so that’s what this is all about.” I had a glass of water in my hand. Clever me. “I suggest you cool down.” And I pitched the water her way. She was drenched.

But wet or not, the gal could throw, and she quickly retrieved her beer bottle and chucked it my way. I blocked the glass with my arm, now scarred, and my back was soaked with beer.

A battle ensued. The comedy room became a schoolyard, and I was 12. My snotty, sweaty peers were throwing food at me, leaving dissected squids, which made me squeamish, in my parka pockets, telling my girlfriend I was a ‘fag’, poking sticks in my orange, slightly camp bicycle wheel so my bike froze and I flew over the handlebars. The Grouse brothers, both ginger, pinned me down, shouting ‘faggot’ at me as Brian, the taller, spat in my face. I was surrounded, like I used to be in the boy’s toilet, and I felt threatened, but in comedy, I’ve learned to never apologize.

I ran to the window behind her, but I couldn’t open it, because of its fucking 18th century decrepit design, and it must have looked like I planned to toss her out. Actually, I wanted to dump her purse onto the sidewalk two floors below, so she’d have to leave. Instead, I grabbed her black leather and ran back onto the stage. Search it? Unconstitutional. Run with it? I had an act to finish. Which I did, to numbing silence. Some people were walking out, maybe to piss, who knows, and one woman in the front row, dyed black hair and pinched, gave an approving thumbs up to the Pol. Nobody came to my defense.

I know the Brits like to see a fight, especially in a pub, and yes, I’m confrontational, but I was the comic. I was joking, which I’d, almost to the painful point of needling instruction, pointed out. Had I been dark skinned and she’d dropped the n-bomb, the crowd would’ve rioted. However middle class guilt doesn’t extend itself to sexuality.

Obviously gay men are not only the last office joke; we’re also the last people to be openly bullied. Even the homeless get money thrown at them. We get bottles, or worse. And frankly, throw what you like, but don’t call me ‘queer’. That’s my word, our word, like ‘fab’. We’d like that one back too, please.

The show’s host wanted to continue with the evening. I protested, and the lovely barmaid walked the ‘lady’ out, who stared menacingly, as I collected my 80 pounds and dashed off to Crouch End, for more verbal abuse, because the show biz glamour never ends. Luckily, I took the later show much less seriously. And the chatty females played along, flirting, giggling, matching my charm.

Please include:

Scott Capurro will be delving, barking and biting in Scott Capurro Goes Deeper at the Edinburgh Fringe, August 1 - 25, Underbelly Venue, 9:15 pm

May 29, 2008

This review appeared in the Times for a play I’m acting in. Just thought I’d let you kids know. Come along. It’s fun.

Filed under: Blog Posts, reviews — Scott @ 8:56 am

The theatre is very intimate, it’s almost like an Edinburgh Fringe venue, which is sweet. And very warm. The UK ignores air conditioning, like it’s Black Magic. The play’s writing is good, I think, and I’m kind of loving playing this character. He’s an aging playwright using sex for approval, so the research was rough. But oddly, he feels familiar. I haven’t been on a legitimate (my mother’s word) theatrical stage in a very long time, and doing someone else’s writing felt awkward and foreign at first. But now it’s like a vacation. I just show up at work, do my bit and the show ends at 9 pm. The audience response has been very supportive and all my friends have liked the play. It’s all quite different from a comedy gig, where I fight my self-imposed, neurotic battles, stumbling from gig to gig, until i wander home, exhausted. Now i have a drink in the pub after, giggling with actors and sipping white wine. It’s sort of classy. Posh. Almost like the grown up job I’ve been looking for.

From The Times
May 29, 2008
F***ing Men at Finborough 4 STARS
Tim Teeman

It’s a hard sell, imagining the Finborough’s postage stamp-sized stage to be a whirligig of locations in which a group of New York gay men sleep with and seduce one another; each encounter subtly, sometimes radically, changing their lives. But under Phil Willmott’s direction, the stage manages to convince as sauna, hotel room, house and apartment. Each encounter in Joe DiPietro’s play (it is a contemporary take on La Ronde) is all too plausible and, given that only half the actors are American, all the accents are pretty faultless too.

Half the fun is watching who ends up with whom. Both the prostitute John (Shai Metuki) and the handsome lecturer Marco (Chris Polick) encounter the closeted beefcake soldier Steve (Nicholas Keith) whose anguished outpourings in a sauna may – depending on your sexual tastes – occupy you less than his six-pack.

DiPietro is interested in how gay men have sex, meet for sex, use sex, and trade in sex. One couple, played by Morgan James and Timothy Lone, love each other but cheat on the quiet. What use is monogamy, one of them wonders – and while you may be swayed by his argument you believe their mutual devotion is for real. The bombastic title doesn’t match the tone of the play, which is more wordy and thoughtful than violent and shocking.

The comedian Scott Capurro is Sammy, a screenwriter who can’t believe his luck when a secretly gay Hollywood star, Brandon (Guy Fearn), comes on strong. Capurro plays Sammy astutely, half for laughs and half not, and his exposure of Brandon in the press leads to the actor’s off-stage confession on the talk-show host Donald’s (Patrick Poletti) show. In turn, Donald is frozen by the death of an old lover and employs John for sex.

Di Pietro’s conclusion – gay love and desire are jolly complex and not easily defined – is wittily conveyed. And if that message doesn’t drive you wild, the lack of clothing just might.

Box office: 0844 8471652. To Jun 7 2008

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